'A man called Berg, who changed his name to Greb, came to a seaside town intending to kill his father. . . 'So begins Ann Quin's first novel, a debut 'so staggeringly superior to most you'll never forget it' (The Guardian). Alistair Berg, hair restorer, shares a mistress with his father. He will, he decides, eliminate his rival. After mutilating a ventriloquist's dummy, he finds himself accidentally seduced by the man he needs to kill. Mordant, heady, dark, Berg is Quin's masterpiece, a classic of post-war avant-garde British writing.

S has disappeared from Ruth and Leonard's home in Brighton. Suicide is suspected. The couple, who had been spying on their young lodger since before the trouble, begin to pour over her diary, her audio recordings and her movies - only to discover that she had been spying on them with even greater intensity. As this disturbing, highly charged act of reciprocal voyeurism comes to light, and as the couple's fascination with S comes to dominate their already flawed marriage, what emerges is an unnerving and absorbing portrait of the taboos, emotional and sexual, that broke behind the closed doors of 1950s British life.

A book of voices, landscapes and seasons, Ann Quin's newly republished novel mirrors the multiplicity of meanings of the very word 'passage' – of music, of time, and of life itself. A woman, accompanied by her lover, searches for her lost brother, who may have been a revolutionary, and who may have been tortured, imprisoned or killed. Roving through a Mediterranean landscape, they live out their entangled existences, reluctant to give up, afraid of the outcome.Reflecting the schizophrenia of its characters, the novel splits into alternating passages, switching between the sister and her lover's perspective. The lover's passages are also fractured, taking the form of a diary with notes alongside the entries. An intricate system of repetition and relation builds across the passages. 'All seasons passed through before the pattern formed, collected in parts.'Erotic and tense, in Quin's compelling third novel the author allowed her writing freer rein than before,...

This new collection of rare and unpublished writing by the cult 1960s author Ann Quin explores the risks and seductions of going over the edge. The stories cut an alternative path across innovative twentieth-century writing, bridging the world of Virginia Woolf and Anna Kavan with that of Kathy Acker and Chris Kraus.