The zor is just one of the alien races that humanity encounters when it travels to the stars, and from the very first meeting it has been all-out war. For many years the conflicts have been sporadic, usually ending with an Earth concession and a treaty. But the zor does not respect mankind and has no any intention of honoring the agreements. When the zor decide to mount a surprise attack against human colonies, the normally self-absorbed government of Earth realizes that something must be done before it is too late.A controversial scholar by the name of Marais is brought in. A nonmilitary man, he has spent his entire life studying the zor and claims to have a plan to deal with them once and for all. With so few options remaining, Marais is put in charge of the battlefleet.Earth just wants the threat neutralized and would be happy with a stalemate, but Marais has other ideas. He believes himself to be the mythic Dark Wing, destined to exterminate the zor. . . . From Publishers WeeklyThis entertaining first novel plays some welcome variations on formulaic military SF. Tired of a decades-long war with the zor, a race of birdlike aliens, the Solar Empire puts a new admiral, a former scholar who claims to understand the zor point of view, in charge of the space fleet. Admiral Marais believes that the aliens can't imagine coexisting with humans, and declares that the only way to overcome them is to shatter their worldview while pressing them to the brink of extinction. But the Solar Empire doesn't anticipate Marais's personal stake in the war: he believes himself to be a threatening, implacable power called the Dark Wing, part of the pantheon of zor religion. The zor, convinced of Marais's alleged secret identity, see him as their likely destroyer. Up to this point, the novel seems to prepare for a standard, detailed presentation of space battle tactics, but instead the story veers off into a discussion of the morality of exterminating another race, however hostile. As the story progresses, Hunt adds depth to the characters, who start behaving oddly. Although they're comfortably flat, as in most military SF, some of them obviously harbor hidden schemes. By the end, one war is over, but larger and much stranger conflicts are just coming into focus. Hunt delivers a bravura performance, especially for a new writer. It's unclear whether he can keep up this level of razzle-dazzle whether he's juggling chainsaws or just Nerf balls but he's a showman to watch. Copyright 2001 Cahners Business Information, Inc.From Library JournalTo bring an end to the continual state of war between humanity and the alien, birdlike zor, the Solar Empire places its military command in the hands of Lord Marais, a scholar versed in the culture of the zor. Marais's knowledge, together with his belief that he is the legendary "Dark Wing" of zor mythology, puts him and the human race in the difficult position of having to choose whether or not to annihilate the enemy in order to achieve victory. Hunt's first novel, set in the far future, deals with the problematic issues of xenophobia and genocide while presenting a fast-paced story that should appeal to fans of space opera and military sf. Reminiscent of Orson Scott Card's military classic Ender's Game, this work belongs in most sf collections. Copyright 2001 Reed Business Information, Inc.

Monsters are in the eye of the beholder.Rosa suffers from a rare condition that renders her mute. She lives on the strange island of Mirasol where the rain never seems to stop.In the gloom of the island, its superstitious population are haunted by all sorts of fears . . . they shun people who suffer from Rosa's condition, believing them to be monsters. So Rosa must live hidden away in an isolated house with its back to the rest of the world, with only the internet for a social life.But Rosa has no desire to leave Mirasol. This is where her mother died and every night she lights a candle on the windowsill. The islanders believe this is the way to summon ghosts, and Rosa wants her mother back.One day she is befriended by a boy online who calls himself Ansel95 – and she quickly realizes that this is one friendship that can take place in the real world. Can she really trust him? What does he want from her?And then Mother turns up at the front...

The Red Army had much to avenge when it finally reached the frontiers of the Reich in January 1945. Political instructors rammed home the message of Wehrmacht and SS brutality. The result was the most terrifying example of fire and sword ever known, with tanks crushing refugee columns under their tracks, mass rape, pillage and destruction. Hundreds of thousands of women and children froze to death or were massacred because Nazi Party chiefs, refusing to face defeat, had forbidden the evacuation of civilians. Over seven million fled westwards from the terror of the Red Army. Antony Beevor reconstructs the experiences of those millions caught up in the nightmare of the Third Reich's final collapse, telling a terrible story of pride, stupidity, fanaticism, revenge and savagery, but also one of astonishing endurance, self-sacrifice and survival against all odds.

Lucien is seriously ill but his life is transformed when an old Italian notebook gives him the power to become a stravagante, a time traveller with access to 16th century Italy. He wakes up in Bellezza (Venice) during carnival time and meets Arianna, a girl his own age who is disguised as a boy in the hope of being selected as one of the Duchessa's mandoliers. Arianna gives Lucien her boy's clothing and he is selected as a mandolier himself, becoming a friend of fellow-stravagante Rodolfo, the Duchessa's lover, and saving the Duchessa's life when she is threatened by an assassin hired by the powerful di Chimici family. For state occasions the Duchessa uses her maid Giuliana as a body-double but Guiliana commits the fatal mistake of revealing the secret to her fiance Enrico and a sequence of devastating consequences unravels. Meanwhile Lucien has met the original stravagante, the Elizabethan alchemist William Dethridge, and he begins to understand that he may be called to follow in his footsteps.

In this brilliantly witty satire -- a bestseller in the UK -- a prestigious British museum launches an ambitious new exhibit...which quickly becomes a seasonal nightmare. Think that a day in the life of a London museum director is cold, quiet, and austere? Think again. Giles Waterfield brings a combination of intellectual comedy and knockabout farce to the subject in this story of one long day in a museum full of scandals, screw-upsŠand more than a few scalawags. At the beginning of The Hound in the Left-hand Corner, Auberon, the brilliant but troubled director of the Museum of British History, is preparing one midsummer's day for the opening of the most spectacular exhibition his museum has ever staged. The centerpiece is a painting of the intriguing Lady St. John strikingly attired as Puck, which hasn't been shown in London in a hundred years. As the day passes, the portrait arouses disquieting questions, jealousies, rivalries -- and more than a few...

Jayne Barrington, on the worse blind date of her life, ends up in the wrong place at the wrong time. Her date is shot, and she's kidnapped by a gang of drug dealing thugs. She can't run; she can't hide. And she can't let them know that she's the daughter of a United States Senator. Boone Sinclair, finder of lost children, is so close to finding the boy he's been searching for. He can't let the woman who stumbled onto the scene ruin it all. He also can't allow his cohorts to kill her, so he does the only thing he can. He takes her under his wing and protects her, and hopes she'll agree to play along. She's not his type; he's not hers. But if they can outrun the bad guys and save a child, the charade will be worthwhile. And if they fall in love along the way...

"If you step through after Harkat, you might never come back. Is your friend worth such an enormous risk?" Darren and Harkat face monstrous obstacles on their desperate quest to the Lake of Souls. Will they survive the savage journey? And what awaits them in the murky waters of the dead? Be careful what you fish for...

Think you know the real story behind the Greek myths? Think again. Most people only know what Zeus wants them to. But the truth is, Zeus is a total myth-o-maniac. Hades, King of the Underworld, is here to set the record straight on how he ended up as Ruler of the Underworld and Zeus became King of the Gods.

Anthology containing: Gallie's House Native Son Ourselves of Yesterday Place in the Sun Servant Problem The Last Supper Floor of Heaven The Corner The Survivors The Weapon

Andrew, his cousin Judy, and super-smart robot Thudd escape the bathtub–only to get flushed down the toilet! Now they have to find their way through a maze of pipes to the kitchen sink. But the kitchen is no place to be when you're the size of a flea. Monster cockroaches scurry across the counter while flies patrol the skies. Will the kids survive the kitchen? Or will they end up frozen in the fridge? Time is running out!

Annie Dunne and her cousin Sarah live and work on a small farm in a remote and beautiful part of Wicklow in late 1950s Ireland. All about them the old green roads are being tarred, cars are being purchased, a way of life is about to disappear. Like two old rooks, they hold to their hill in Kelsha, cherishing everything. When Annie's nephew and his wife are set to go to London to find work, their two small children, a little boy and his older sister, are brought down to spend the summer with their grand-aunt. It is a strange chance of happiness for Annie. Against that happiness moves the figure of Billy Kerr, with his ambiguous attentions to Sarah, threatening to drive Annie from her last niche of safety in the world. The world of childish innocence also proves sometimes darkened and puzzling to her, and she struggles to find clear ground, clear light - to preserve her sense of love and place against these subtle forces of disquiet. A summer of adventure, pain, delight and ultimately epiphany unfolds for both the children and their elderly caretakers in this poignant and exquisitely told story of innocence, loss and reconciliation.